Archives for posts with tag: Dorset Cursus

Last sightings of extinct songs: Chalk remembered

November 14, 2015 //
0

fossil dissolve: sebastiane hegarty
Remembering Chalk, a day of rain, hand dryers, neolithic landscapes, guttering and singing dunes, exhausted shelves and spectral houses, the last sightings of extinct songs, lavender sellers and the long quiet fall of light through Connemara.
The curator and writer Jodie Dalgleish reflects on the symposium, Chalk: time, sense and landscape in her article for the New Zealand on-line art review EyeContact: http://eyecontactsite.com/2015/11/sally-ann-mcintyre-at-winchester-symposium

Link to the full un-edited Essay by Jodie Dalgleish available here:
Time Sense Landscape Essay: Jodie Dalgleish

Sally Ann McIntyre
Sally Ann McIntyre: Victoria Rick
Symposium Chair: Marius Kwint
Marius Kwint: Victoria Rick
Symposium Keynote Speaker: John Levack Drever
John Levack Drever: Victoria Rick
Archaeologist: Nick Thorpe
Nick Thorpe: Victoria Rick
Sound Artist and Symposium Curator: Sebastiane Hegarty
Sebastiane Hegarty: Victoria Rick
Geologist: Michael Welland
Michael Welland: Victoria Rick
Architectural Historian: Karen Fielder
Karen Fielde: Victoria Rick
Composer: Paul Whitty
Paul Whitty: Victoria Rick
Sound Archivist & Curator of London Sound Survey: Ian Rawes
Ian Rawes: Victoria Rick
Sally Ann McIntyre and Marius Kwint
Sally and Marius: Victoria Rick
Film Artist: Guy Sherwin
Guy Sherwin: Victoria Rick
Film: Connemara by Guy Sherwin
Guy Sherwin Connemara 2: Victoria Rick

Symposium Photography: Victoria Rick

Tags , , , , , , , , , , , , , , , , , , , , , , , , ,
Categories Acoustic Ecology, Archaeology, Architecture, Field-recording, Geology, Landscape, Listening, Music, rainfall, Sound Art

Tomorrow: another stone age

October 16, 2015 //
0

drumsThe Folkton drums: Nick Thorpe
Dorset Cursus plot by Martin Green2
As part of tomorrow’s  symposium, the archaeologist and author, Nick Thorpe will discuss the prehistoric use of chalk, not only as a place to leave a mark or a rock to carve into figurines,  but also as the material used to create the first British monuments; a form of neolithic land art, existing thousands of years before Smithson. He writes: ‘hundreds of metres across, taking thousands of hours to create.  The visual impact of these chalk monuments may have been just as shocking as modern art, permanently scarring the land.’  As ‘performance spaces’ these sites not only manipulated the visual landscape, but also how it was used and how it sounded.

See programme for full details of this talk and the other presentations at the symposium: timesenselandscape.com/programme

Tags , , , , , , , , , ,
Categories Archaeology, Architecture, Conservation, Field-recording, Geology, Landscape, Listening